Things To Throw Into The Pot To Make The Stew Thicken
Published in the Society of Children's Book Writers & Illustrators Bulletin, Sept.-Oct. 1999
You've written a wonderful story where lots of stuff happens. You've created quirky and original characters. But does the manuscript
actually have a plot?
If you can answer the 10 questions below, you're off to a good start. First, we have plotting's all-important Three Ps:
1) What's the point? When the final word has been read and the cover closed, what do you hope a reader has gotten out of reading your story?
2) What's the problem? What dilemma is facing your main character at the beginning of the story and resolved by the end?
3) What's the plan? What has your main character done to solve the problem? If the problem is solved by lucky coincidence or outside forces, the story doesn't work.
4) What does your main character want, and why does he or she want it?
5) What do your secondary characters want? If they're only along for the main character's ride, you book will lack depth.
6) What obstacles does your main character face, blocking the path to whatever he or she wants?
7) How does your main character change during the course of the story?
8) Why is the setting you've chosen essential to this plot?
9) Where does the story begin? Why is it best to begin here? If you began earlier or later in the action, would it change the outcome?
10) Where does the story end? Are all the dangling threads tied up? Does the main character feel any satisfaction at having lived through this story? Will the reader?
Now, go ahead. Stir that plot pot. if you've got this whole list of ingredients, chances are good that people will come back for seconds.
You've written a wonderful story where lots of stuff happens. You've created quirky and original characters. But does the manuscript
actually have a plot?
If you can answer the 10 questions below, you're off to a good start. First, we have plotting's all-important Three Ps:
1) What's the point? When the final word has been read and the cover closed, what do you hope a reader has gotten out of reading your story?
2) What's the problem? What dilemma is facing your main character at the beginning of the story and resolved by the end?
3) What's the plan? What has your main character done to solve the problem? If the problem is solved by lucky coincidence or outside forces, the story doesn't work.
4) What does your main character want, and why does he or she want it?
5) What do your secondary characters want? If they're only along for the main character's ride, you book will lack depth.
6) What obstacles does your main character face, blocking the path to whatever he or she wants?
7) How does your main character change during the course of the story?
8) Why is the setting you've chosen essential to this plot?
9) Where does the story begin? Why is it best to begin here? If you began earlier or later in the action, would it change the outcome?
10) Where does the story end? Are all the dangling threads tied up? Does the main character feel any satisfaction at having lived through this story? Will the reader?
Now, go ahead. Stir that plot pot. if you've got this whole list of ingredients, chances are good that people will come back for seconds.
